{"title":"Atmosphere","description":"","products":[{"product_id":"fishing-blues","title":"Fishing Blues","description":"\u003cp\u003e\u003cstrong\u003eTRACKLISTING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e﻿Like A Fire\u003cbr\u003eRingo\u003cbr\u003eBesos\u003cbr\u003ePure Evil (feat. I.B.E)\u003cbr\u003ePerfect\u003cbr\u003eSeismic Waves\u003cbr\u003eNext To You (feat. deM atlaS)\u003cbr\u003eThe Shit That We've Been Through\u003cbr\u003eWhen The Lights Go Out (feat. DOOM \u0026amp; Kool Keith)\u003cbr\u003eNo Biggie\u003cbr\u003eEverything\u003cbr\u003eChasing New York (feat. Aesop Rock)\u003cbr\u003eSugar\u003cbr\u003eFishing Blues (feat. The Grouch)\u003cbr\u003eWon't Look Back (feat. 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Thriving at the intersection of guttural and self-effacing, Atmosphere will go down as some of America’s best archivists. \u003cbr\u003e\u003cbr\u003eOn Whenever, the duo continue to move in lockstep. Within the minutiae lie clues they’re still struggling with mortality and the need to protect emotional energy, as on previous releases, but there’s a quiet romanticism now, with Slug sounding—reluctantly—in love with life. And no other producer can pull truths out of a rapper like Ant fishes the blues out of Slug. Be it the twinkle of “Bde Maka Ska” leading into twanging guitars, or the anxious skitter of “Lovely,” Slug finds obvious comfort in working with Ant. “Postal Lady” recounts the simplicity of Slug’s life over warm and enveloping production, while “Romance” recalls God Loves Ugly with its undulating glitches, as if we crawled through Ant’s drum machine. \u003cbr\u003e\u003cbr\u003eIt’s clear the pair’s harmony is reaching new peaks. 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